Inken Stabell Wave detail 1.jpg

Seascapes (working title)

A series of etchings

This project was started in April 2021, intended as a small etching cycle. However, with the sea being a recurring theme in my work, I've decided to leave this series open ended. The etchings show various memories, associations and impressions of the sea that shaped my relationship with it. It is a very personal project that tells its own stories instead of illustrating another one, and it also includes more technical experiments and challenges.

about etchings
 

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The etchings will be released in groups and come in editions of 40 - 60 each. I expect the first part to be finished in Spring 2022. If you don't want to miss out when the time is here, consider subscribing to my mailing list.

All hands on deck

Inken Stabell - All hands on deck

Spraypaint aquatint, line-etching on zinc | 20 x 30 cm | printed on 200g/m² watercolour paper

The idea for this etching originated in a story I used to work on about a place that gets swallowed by the ocean. The shattered shipwreck belonged to the person standing on it. I will leave the rest up to your own imagination, as I realised that capturing the aesthetic is what I'm really after rather than an exact retelling of events.

The title is a reference to the song "A Salty Dog" by the band Procol Harum.

Nordsee bei Nacht

Inken Stabell - Nordsee bei Nacht

Line-etching on zinc | 40x50cm (58x80cm) | printed on 300g/m² etching paper

This etching was made only with lines in three etches. It was a technical challenge I gave myself, to see if I could create a seascape with lines that don't follow the usual classical style. From start to finish this etching took close to two months of work.
The title means North Sea at Night in German.

Details:

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Nösse

Inken Stabell Nösse.jpg

Line-etching, spraypaint aquatint, mezzotint on zinc | 40 x 30 cm | printed on 200g/m² watercolour paper

Nösse is a part of the eastern coast line of the island Sylt, the northern most island of Germany. Half of my family is from there and we often walk this path as it's always a breathtaking view, with such a tall cliff next to the flat wadden sea (or rather, the generally flat scenery in the north).

I focused especially on the grainy looking texture in this etching. Due to using spraypaint for aquatints, even the sky is quite textured. In the first stages I burnished brighter areas into a dark aquatint as one would do for mezzotint etchings. The lines were added on top to increase the contrast afterwards.

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